Minor Etude Legato

When it comes to diversifying your creative playing, employing techniques
like legato can make all the difference in your playing. If you are unfamiliar
with legato and the concept of playing legato passages, you can check out
the first lesson on legato here. However, I can very easily some it up again.

Legato is simply a fluid series of notes strung together. In order to make them this fluid we must use a series of hammer-ons and pull-offs. Let's say that you are playing one legato passage on one string, and let's say that the passage consisted of 10 or so notes. You would pick the first note, and then hammer-on and pull-off the remaining notes. Yes, that's right. You don't pick them again after that. If the passage is a particularly longer series of notes, then depending on the volume of your amp, you may have to periodically pick the starting note from time to time, just to get your volume back out. Having a good mastery of legato means to have excellent fretting hand strength, and there is no better way to develop this kind of strength than with legato exercises, themselves.

Not only are these exercises phenomenal for building fretting hand strength, but they can also be applied immediately to your solos. Yes, and exercise that actually sounds good and is fun to play.

I have constructed a minor legato exercise that is in itself, a complete portion of a guitar solo. You may want to use a metronome with this (advised) and you will definitely want to start off slow, to ensure that you are producing powerfully, clean notes.

Enjoy!

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The Basics Of Legato

The Italian word Legato literally means "tied together" and the technique itself is at our disposal, for purposes of fluid guitar playing. Its always nice to have options and rather than picking out every single note, we can instead eliminate the chunking sound that a guitar pick makes when it strikes a string, by using hammer-ons and pull-offs.

The idea behind legato on guitar, is to pick a strings once and then hammer-on or pull-off the remaining notes. This requires a good amount of strength in the fretting hand. The reason for this is because when you pick a string on the guitar, you are giving a renewed vibration. The more that you mess with that string after the you have picked it, without picking the string for some time, the more that the sound is going to dwindle away.

Legato can sound pretty ugly if a guitarists' fretting hand is not strong and dexterous enough. It is better to get it right in the beginning, because you'll really be thanking yourself on down the road. There's a lot that can be done with any guitar technique. Just the other day I was watching a video of Michael Romeo and I noticed that there was something strange about the sound that was coming through his amp. I rewound it and started watching his picking hand as well as his right hand. Sure enough, and just as I had sensed, the man was doing sweep/legato. He was sweep picking on his guitar with his picking hand and using the legato technique with his fretting hand. Amazing.

This too is possible for any guitarist, but we really need to keep working on that strength. I'm going to show you a simple yet creative legato exercise in this lesson. Keep in mind that when you are picking out every note on the guitar, the fretting hand does not always need to be so strong, yet when you are picking out only one note and hammering-on or pulling-off the remaining notes, the fretting hand gets stuck with all of the work and this means that it can be quite revealing. You need to make sure that the fretting hand is really strong. Legato exercises are ideal for this and the best legato exercise that any guitarist could start with would be a chromatic
legato exercise. The reason is just as simple as why chromatic patterns are ideal for fretting hand strength. Any kind of chromatic exercise utilizes all four fingers on the fretting hand. You might as well start by training all of the fingers to work with each other, so we'll start with this exercise here.



When doing this legato exercise, make sure that you take it really slow. Not only that, but you will really want to hammer-on those notes, and when pulling off the notes - flick the fingers of your fretting hand off the strings, rather than just lifting them up. Pull the string down on your pull-offs and let the string snap back into place. In the beginning this will sound really crude, but as you get better at this, no one will even notice that little snapping motion.

Really work with this legato exercise and take the time to enjoy, as it will be good for your hand. You may also want to check out Fretting Hand Strength Building Exercise, which is not a legato exercise, but is still good for your dexterity.

Don't strain your hand! legato can be very brutal on "green" hands. In fact, just do this legato exercise five times through, and then take a break. Increase the number of times that you can do it in one go, a little at a time. Take care of your hands and happy shredding!

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